Karen Toliver

As executive vice president of creative for Sony Pictures Animation, Karen Toliver is responsible for the creative supervision of a number of upcoming features for the studio, from inception to script, and through production.

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Everett Downing

Everett Downing is an animator, story artist and director living in the Greater Los Angeles area. Born in Boulder, Colorado and raised in Denver, he studied Film, focusing on computer animation at Columbia College in Chicago. Everett began his career as a story artist at Big Idea Productions before making his break into feature film, animating at Blue Sky Studios on the original “Ice Age.”

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Max Lang

Max Lang is an Oscar®-nominated and BAFTA®-winning animation director. He jointly directed the award-winning animated films The Gruffalo and Room on the Broom for Magic Light Pictures as well as the animated Christmas special Albert for Nickelodeon.

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Matt Williames

Matt Williames began his 23-year career at the age of 14, when he started working professionally as an animator while still in junior high school. At the time, Matt worked on projects ranging from the animated feature Quest for Camelot, to independent shorts, including the Oscar nominated Stubble Trouble.

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Eléa Gobbé-Mévellec

After graduating in Applied Arts, Eléa Gobbé-Mévellec joined the Ecole des Gobelins in 2003. Her first two short films, Madame (made during her studies in 2006 ) and Escale (2010) were selected at the Annecy. In addition to her work as a graphic designer on television sets and advertising for luxury brands, she also worked […]

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Zabou Breitman

At four years old, Zabou played in one of the episodes of the TV show “Thierry la Fronde” alongside her father, Jean-Claude Deret. Zabou studied cinema, modern Greek and English for her bachelor’s degree and attended the Simon course. She was an Animator at “Recré A2” in the 80s ands made her film debut in […]

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Anca Damian

Anca Damian studied at the Academy of Theatre and Film Arts where she obtained a diploma in Cinematography and a Doctor’s degree in Arts, Cinema and Media. After graduating, she worked as a director, screenwriter and producer for several documentaries on art related topics, and also as a director of photography for two long feature […]

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Ayumu Watanabe

Born in 1966, Watanabe joined Studio Mates in 1986 and debuted his first original picture with the same studio. In 1988 he moved to Shinei Videos and was active in a wide range of roles including key animator, animation director, and director. Watanabe directed the short theatrical release Obachan no Omoide(2000), and the feature filmDoraemon: […]

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Marcell Jankovics

Marcell Jankovics has written, designed and directed several hundred animated short films: singles and series. He directed the first full-length animated film produced in Hungary, Johnny Corncob (1973). He was the leading director of the series Gustavus, Hungarian Folktales and Legends from the Hungarian History. Besides directing, he was the writer, storyboard and graphic designer, […]

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Amp Wong

WHITE SNAKE Amp was involved in the production of Little Door Gods, Tea Pets, Cats and Peachtopia.Before joining the Light Chaser Animation Studios, he worked in CGCG (Xiamen) Inc. and Imagi Animation Studios, as animation supervisor and assistant director,and participated in the Hollywood animation series such as Astro Boy, Teenage Mutant Ninja Turtles, Green Lantern.

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Ji Zhao

WHITE SNAKE Has studied at the Communication University of China and UCLA. The editor and post-production supervisor of Little Door Gods, Tea Pets, Cats and Peachtopia. He has nine years of working experience in the field of filmmaking and has participated in the editing of a number of films home and abroad, such as The […]

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Yonfan

Yonfan wrote, directed and produced all 14 of his motion pictures. Throughout his career, he gave Maggie Cheung her first on-screen romantic role and made Chow Yun-fat a box- office star, Story of Rose (1985), discovered Daniel Wu, Bishonen (1998) and revived the career of the legendary Rie Miyazawa, Peony Pavilion (2002). He has worked […]

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Marc Du Pontavice

Marc du Pontavice, Xilam Animation’s President, began his career with GAUMONT, where he co-founded GAUMONT Television (1991‐95), supervising the production of a hundred hours of prime time fiction, including the series Highlander. He created GAUMONT Multimedia, whose assets he acquired in 1999 to found Xilam Animation. Since that time, Xilam has established itself as one […]

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Makoto Shinkai

Makoto Shinkai was born in Nagano prefecture in 1973. In 2002, he debuted with self-produced Voices of a Distant Star, which won many awards including Best Public Submission at the Tokyo International Anime Fair 21. His first feature released in 2004, The Place Promised in Our Early Days won Best Animated Film in the 59th […]

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Atsuya Uki

In 2006, a short film Uki created for a university graduation project was selected as the first sponsored work by the Tokyo Douga Kakumei [Anime Innovation Tokyo]. The short animation based on the project CENCOROLL was released in 2009 and met with highly favorable reception. Uki later worked as a character designer for titles such […]

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Rebecca Sugar

Rebecca Sugar is the creator of Cartoon Network’s six-time Emmy-nominated series Steven Universe, an animated slice-of-life action comedy revolving around Steven, the “little brother” to a team of magical aliens—the Crystal Gems—who defend the planet Earth. After graduating from the School of Visual Arts (SVA) with a BFA in Animation, Sugar joined Adventure Time in […]

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Jérémy Clapin

In the late 1990’s, Jérémy Clapin studied animation and illustration at the École des Arts Décoratifs de Paris (Paris Decorative Arts School). After graduating in 1999, he started working in 2000 as an illustrator and directed his first short film in 2004, Une Histoire Vertébrale (A Vertebral Story), which was very well received in festivals. […]

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The Best of Annecy: Spotlight on Women Directors

Sergio Pablo

Sergio Pablos’s experience in the Animation field has not only been limited to the Original Story or Executive Production of the well-known Despicable Me feature hit. His career includes credits as Supervising Animator for Disney titles such as Tarzan, The Hunchback of Notre Dame, and Hercules just to name a few.

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Gitanjali Rao

Gitanjali Rao emerged into the international stage with her animated short, ‘Printed Rainbow’ which premiered in Cannes Critic’s week 2006 and won the Kodak Discovery Award, Petite Rail D’Or and Prix Du Jeune. The film went on to win 25 awards and was short listed for the Oscar in 2008.

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Justin Chang

Justin Chang is a film critic for the Los Angeles Times and for NPR’s “Fresh Air”,” and a regular contributor to KPCC’s “FilmWeek.” Before joining The Times, he was chief film critic at Variety. He is the author of the book “FilmCraft: Editing” and serves as chair of the National Society of Film Critics and […]

Matthew A. Cherry

Chicago native Matthew A. Cherry is a former NFL wide receiver turned filmmaker who played for the Jacksonville Jaguars, Cincinnati Bengals, Carolina Panthers and the Baltimore Ravens. In 2007 he retired and moved to LA to pursue a career in entertainment landing work as a production assistant on over 40 commercials and as a director […]

Suzanne Buirgy

Suzanne Buirgy has created an impressive roster of credits in her 20-year career in Animation and Visual Effects. Suzanne began her career at Digital Domain, one of the premiere VFX houses in the country, where she spent nine years serving as DPM on a variety of films including How the Grinch Stole Christmas, XXX, The […]

Jennifer Yuh Nelson

Jennifer Yuh Nelson made her feature film directorial debut with Kung Fu Panda 2 (2011), which earned more than $665 million at the worldwide box-office. She continued on to direct the franchise’s successful follow-up Kung Fu Panda 3 (2016). Nelson has lent her talents to a variety of DreamWorks Animation pictures, including as head of […]

Melissa Cobb

Melissa Cobb is Vice President, Kids and Family at Netflix, the world’s leading internet entertainment service. Cobb leads the content team responsible for bringing kids and family titles, both live-action and animated, to Netflix members in 190 countries around the world. Prior to Netflix, Cobb was Chief Creative Officer for Oriental DreamWorks, where she oversaw […]

Anne Thompson

Born and raised in New York, IndieWire Editor at Large Anne Thompson has been a contributor to the New York Times, Washington Post, The Observer, and Wired. She has served as film columnist at Variety and deputy editor of Variety.com. Anne was the Deputy Film Editor at The Hollywood Reporter, the West Coast Editor of Premiere, a Senior Writer at Entertainment Weekly, and West Coast Editor for Film Comment.

Carolyn Giardina

Carolyn Giardina is Tech Editor at The Hollywood Reporter and writes its Behind the Screen blog. In 2015, Carolyn was presented American Cinema Editors’ Robert Wise Award, which recognizes a journalist for contributions to film editing. She was the 2011 recipient of the International Cinematographers Guild’s Technicolor William A. Fraker Award for journalistic contributions to cinematography.

Peter Debruge

Peter Debruge is Variety’s Chief International Film Critic. He first joined the Variety team in 2005 as a features editor, compiling the magazine’s annual 10 Actors, Directors and Screenwriters to Watch lists as well as overseeing a range of special editorial sections, including those tied to the magazine’s philanthropy-driven Power of Youth and Power of Comedy events.

Mabel Tam

Mabel Tam is VP/Head Film Buyer of LANDMARK THEATRES. Landmark Theatres is the nation’s largest theatre chain dedicated to exhibiting and marketing independent film. A 16 year veteran of the entertainment industry, she is a graduate of UCLA and resides in LA with her family.

Jorge R. Gutiérrez

Jorge R. Gutiérrez is a painter, writer and director born in Mexico City and raised in Tijuana. Gutierrez has completed various films, cartoons, and paintings exploring his love of Mexican pop and folk culture.

Charles Solomon

An internationally respected critic and historian of animation, Charles Solomon has written on the subject for the New York Times, Newsweek (Japan), Rolling Stone, the Los Angeles Times, The International Herald Tribune, Variety, the Manchester Guardian, and National Public Radio.

Allison Abbate

Allison Abbate is an executive vice president at Warner Animation Group. Prior to assuming her post at WAG, Abbate was an executive producer on the global blockbuster The LEGO® Movie, and a producer on Tim Burton’s Frankenweenie and Corpse Bride, Wes Anderson’s Fantastic Mr. Fox, and Brad Bird’s Iron Giant.

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