Trisha Gum is a filmmaker and fine arts artist living in Los Angeles, C.A., she has been working professionally in animation for ten years. Trisha started her film career working as an Art Director and Production Designer on various TV shows, such as, ROBOT CHICKEN, WB’s MAD, and Adult Swim’s FRANKENHOLE. Trisha transitioned into writing and directing in 2010 […]Read More
Born and raised in New York, IndieWire Editor at Large Anne Thompson has been a contributor to the New York Times, Washington Post, The Observer, and Wired. She has served as film columnist at Variety and deputy editor of Variety.com. Anne was the Deputy Film Editor at The Hollywood Reporter, the West Coast Editor of Premiere, a Senior Writer at Entertainment Weekly, and West Coast Editor for Film Comment.
Brenda Chapman started her career as a story artist at Walt Disney Feature Animation in 1987 where she was the story supervisor on The Lion King, for which she won the Annie Award. Chapman has helped to develop and consult on films for several studios over many years which include not only Disney, DreamWorks and Pixar, but also Universal, Sony, Lucasfilm and Fox.
Carolyn Giardina is Tech Editor at The Hollywood Reporter and writes its Behind the Screen blog. In 2015, Carolyn was presented American Cinema Editors’ Robert Wise Award, which recognizes a journalist for contributions to film editing. She was the 2011 recipient of the International Cinematographers Guild’s Technicolor William A. Fraker Award for journalistic contributions to cinematography.
Peter Debruge is Variety’s Chief International Film Critic. He first joined the Variety team in 2005 as a features editor, compiling the magazine’s annual 10 Actors, Directors and Screenwriters to Watch lists as well as overseeing a range of special editorial sections, including those tied to the magazine’s philanthropy-driven Power of Youth and Power of Comedy events.
Mabel Tam is VP/Head Film Buyer of LANDMARK THEATRES. Landmark Theatres is the nation’s largest theatre chain dedicated to exhibiting and marketing independent film. A 16 year veteran of the entertainment industry, she is a graduate of UCLA and resides in LA with her family.
Jorge R. Gutiérrez is a painter, writer and director born in Mexico City and raised in Tijuana. Gutierrez has completed various films, cartoons, and paintings exploring his love of Mexican pop and folk culture.
An internationally respected critic and historian of animation, Charles Solomon has written on the subject for the New York Times, Newsweek (Japan), Rolling Stone, the Los Angeles Times, The International Herald Tribune, Variety, the Manchester Guardian, and National Public Radio.
A leading force in imaginative storytelling, Bonnie Arnold is a prolific film producer whose work spans myriad genres, and appeals to multiple generations. Bonnie is a Golden Globe winner, and an Academy Award® nominee.
Allison Abbate is an executive vice president at Warner Animation Group. Prior to assuming her post at WAG, Abbate was an executive producer on the global blockbuster The LEGO® Movie, and a producer on Tim Burton’s Frankenweenie and Corpse Bride, Wes Anderson’s Fantastic Mr. Fox, and Brad Bird’s Iron Giant.